TreeWorks Chimes 4" Triangle with NEW before selling â Holder MADE Beater and $13 TreeWorks Chimes 4" Triangle with Beater and Holder â MADE Musical Instruments Drums Percussion Hand Percussion $13,with,and,Chimes,âÂÂ,/bushbeater819365.html,4",Musical Instruments , Drums Percussion , Hand Percussion,TreeWorks,Beater,Triangle,Holder,MADE,legendsofracingradioshow.com TreeWorks Chimes 4" Triangle with NEW before selling â Holder MADE Beater and $13,with,and,Chimes,âÂÂ,/bushbeater819365.html,4",Musical Instruments , Drums Percussion , Hand Percussion,TreeWorks,Beater,Triangle,Holder,MADE,legendsofracingradioshow.com $13 TreeWorks Chimes 4" Triangle with Beater and Holder â MADE Musical Instruments Drums Percussion Hand Percussion
TreeWorks Chimes 4" Triangle with Beater and Holder â MADE
$13
TreeWorks Chimes 4" Triangle with Beater and Holder â MADE
A pure and brilliant tone â the TreeWorks studio-grade triangle produces a lasting ring that fills the room with a shimmering, full overtone spectrum and balanced projection â with its mid-range pitch, this is an essential triangle for any percussionist
Made in U.S.A. â made from hard carbon steel heat treated and hand-bent by skilled experts in our Nashville, Tennessee workshop for uncompromising sound â the matching beater/striker is made from stainless steel and delivers a sparkling attack note
Well-suited for multiple sounds â this triangle comes with a hardwood holder featuring a hand-rubbed oil finish and stainless steel triangle beater for playing, making it possible to produce full tones, muted patterns and rolls with total comfort and ease
Built from the strongest materials possible â TreeWorks Chimes triangles are crafted from a custom heat-treated carbon steel alloy that is given a thin satin chrome finish to maximize its response and clarity, leaving it with a gleaming matte appearance
Comfortable size for any player â measuring 4" across with 5/16" thick carbon steel alloy, this TreeWorks studio-grade professional triangle is easy to control and comes with one Light Triangle Beater (TREbtr-LTE), measuring 8 1/4" x 3/8" x 1/4"
Play anything from orchestral passages to Latin riffs â add this triangle to your percussion collection and you'll be ready with a pure tone for everything from traditional orchestral passages to modern two-handed Latin riffs
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Product description
Size:4-Inch
At TreeWorks Chimes, we specialize in crafting exceptional, high-quality American made percussion instruments from our small shop in Nashville, Tennessee using locally sourced materials. TreeWorks triangles are handmade in our shop using an in-house custom heat treated carbon steel alloy. Our triangles are then hand-bent to ensure the clearest tone possible with well-balanced frequencies. This 4â Professional Studio-grade Triangle with 5/16â thick alloy is extraordinarily versatile and can be used in any musical setting. Overtones are bright, shimmering and complex, and its attack is followed by a long sustain. Its wide dynamic range projects through large ensembles when played forte (hard), or effortlessly transition to delicate passages simply by adjusting your playing technique. It comes with a full-size professional stainless steel triangle beater/striker and wooden holder featuring a hand-rubbed oil finish. The beater is designed to create a sparkling, pure tone that fills the room when the triangle is struck. A thin satin chrome finish is used on the triangle in order to maximize the response and clarity. This combination of material and craftsmanship yields a bright, shimmering response with a full spectrum of complex overtones and an outstanding sustain. This triangle is vital for any percussion collection, whether you are playing orchestral passages or modern two-handed Latin riffs. Made in Nashville, Tennessee, U.S.A.
TreeWorks Chimes 4" Triangle with Beater and Holder â MADE
Welcome to JuneauNature, the natural-and-cultural history site for Discovery Southeast, best known as the team of naturalists bringing nature to Juneau schools since 1989. Less well known is our 40 years of original field research, our longtime service as bridge between educational and scientific communities, and our natural-&-cultural history archives, brought to you through this website.
JuneauNatureshares this deep history with Discovery Southeast members, students, educators, scientists, and everyone who loves Lingít Aaní, southeast Alaska. Browse under NATURE, CULTURE, PLACES, TOOLS, SCHOOLS or Media types to get started. Browse all the categories (except SCHOOLS, under construction) with this sitemap.
As of spring, 2021, we’re building that fifth ‘root’ section devoted to SCHOOLS. Serving teachers and their students, this ‘room’ of JuneauNature hosts maps, curricula, videos and other resources—many of them site-specific but some more theme- or topic-based (geology, birds, etc)—created over more than 30 years by Discovery naturalists.
Discovery Southeast thanks and honors Áak’w & T’aakú Kwáans, on whose land we listen and teach.
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Richard Carstensen's natural history blog.
April, 2021: Through JuneauNature’s blog, you can now follow ‘breaking nature-news‘ from local naturalists, and see alerts to freshly uploaded content. From our Subscribe box, request email notices for each new post.
Important place names in this blog:
● Áak’w & T’aaku Aaní, northern Tlingit homeland (CBJ) ● Goatlandia, home of Jánwu, mountain goat, especially winter & summer ranges of Shaa Tlaax, moldy top, (Mt J-word) ● Sayéik, spirit helper (D-word Island).
Since JuneauNature’s banner prominently calls this DiscoverySoutheast ‘subsite’ “Richard Carstensen’s JuneauNature,” it should be fairly clear who’s talking. Unless otherwise noted, it’s me—RC.
Let me introduce myself—Richard Carstensen. Born in Philadelphia in 1950, I came to Alaska as a 27-year-old wannabe mountain man. Discovering that 1) wild Alaska presented no need to retreat to mountains, and 2) tanning deer hides was hard work, I quickly settled on the more realistic goal of becoming a well-rounded naturalist. I’ve tried to explore and document as much of Southeast Alaska as possible, teaching, interviewing, writing, drawing, filming, mapping and consulting. In recent years, what’s most excited me is the intersection of natural and cultural history—what a naturalist can contribute to the question Why do we live here? You’ll find my bio on the DiscoverySoutheast staff page.
JuneauNature is the ‘nature-content’ site for Discovery Southeast’s mother site. With help from an amazing community of naturalists, scientists and outdoorsfolk, JuneauNature is already the most comprehensive online source for many aspects of Southeast Alaskan natural and cultural history. (See NATURE for links to other great Southeast nature sites, and CULTURE for links to our region’s outstanding heritage sites). Stay tuned, as it gets even better!
Place names convention:
In all my writing and cartography since publication of Haa L’éelk’w Hás Aani Saax’ú: Our grandparents’ names on the land (Thornton & Martin eds 2012: abbreviated “T&M12”), I’ve used Lingít place names whenever available, followed by translation in italic, and IWGN (important white guy name) in parentheses. Example: Kadigooni X’áat’, island with spring water (Spuhn Island). Euro-names are typically distracting preemptions, or worse; Spuhn was a principal in the Northwest Trading Company who leveled Angoon. Where the Lingít went unrecorded I default to the IWGN, often acknowledging its inadequacy with a parenthetical “(noTN?)”